6.
BOYD Alright, go on inside. I'll see you in the morning. KENNY Cutting it kinda close, aren't you Sheriff? BOYD Looks like. Kenny watches Boyd continue down the street, then turns and heads inside the station. INT. SHERIFF'S STATION - CONTINUOUS Kenny enters, closing the door behind him. Just like Kristi, he checks the ORNATE TALISMAN that's nailed to the door to make sure it's secure. He settles in, takes off his coat, and opens a side door into a room that's been CONVERTED INTO AN APARTMENT. Kenny's mother, THAO NGUYEN (50s), is at the stove cooking dinner. They live at the Sheriff's station. EXT. TOWN BAR - SUNSET A squat wooden structure near the edge of town, away from the houses. Four walls and a roof. No windows. It's just a big wooden shack. The sky is getting darker. The sun has almost set. INT. TOWN BAR - SUNSET The inside is a ramshackle affair. A long plank serves as a makeshift bar top. Tree stumps serve as stools. A patchwork tangle of tubes and bottles to distill whatever home-brewed poison the bar serves. BARTENDER (O.S.) Frank! Get the fuck up. FRANK PRATT (early 40s) is passed out on the floor. The BARTENDER (late 30s), also drunk, is getting ready to lock the doors. BARTENDER (CONT'D) Come on Frank, gotta get home. It's getting dark out. Frank! (sighs) Fuck it. Lauren's gonna kill you. He slides a crowbar into the handles of the HEAVY WOODEN DOORS, locking both he and Frank inside the bar.
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