MAKING ART ABOUT ART
My artistic journey is a tapestry woven from diverse threads. At its core is the constant thirst for learning. Art History and technology fuel my in - spiration. Studying history reveals hu - manity’s stories while technology allow me to scaling them to reach the widest audience cost effectively. As much as I wrote for long periods daily, I rely primar - ily on visualization to express my ideas. Each new creation deepens my under - standing and becomes the springboard for the next. I keep pulling at the edges of what is possible paying close attention to the details and documenting all of my work. I primarily work with computers, while I still love the tactile experiences of old- school drawing and painting. Lately, my practice has shifted towards working with printed silk. I am captivated by the range of colors and pin-sharp details I can print. The fabric also allows me to make large-scale works that are easily
portable. Working with fabrics has also opened door to the rarefied world of fashion and costume design. My hand- rolled, 18 mm, twill, silk scarves are on par with the finest brands in the world. I work on making art every day, starting first thing in the morning and working late in the evening. Whether I’m working on a small sketch or pushing the boundaries of software, I dedicate focused time to honing my skills. Mastery, for me, extends beyond any specific medium and style. This makes me very adaptable, capable of taking ad - vantage of opportunities as they appear. Working in this way learning itself is the reward. Building a lasting artistic legacy re - quires collaboration. I envision global partnerships capable of displaying my work to large audiences in all formats from products to fine art.
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