As a famed art publisher, Weston built his extensive collection over five decades. A pioneer in collecting Hollywood glamour photography, he established it as a form of fine art over 50 years ago.
A collection of photographs taken between
1945 - 1962
Washington Green Fine Art is proud to present this collection of rare, original photographs of Marilyn Monroe. Printed from the original negative, and published as limited editions over the past \HDUVWKHVHKLVWRULFDOO\VLJQLoFDQWSKRWRJUDSKVDUHVRXUFHG directly from the Edward Weston Collection archive. These timeless photographic images are all hand-signed by the photographer. They include stamps and markings on verso, and are all individually numbered according to the edition from which they come. These features can be viewed via the back of the frame through specially cut windows. Each photograph is accompanied by a detailed letter of provenance from Washington Green Fine Art. This collection features 27 photographs that span the career of the ultimate Hollywood icon from one of her earliest photo VKRRWVDV1RUPD-HDQHLQ WRKHUoQDOSURIHVVLRQDOVKRRW as Marilyn Monroe in 1962. As a famed art publisher, Weston built his extensive collection RYHUoYHGHFDGHV$SLRQHHULQFROOHFWLQJ+ROO\ZRRGJODPRXU SKRWRJUDSK\KHHVWDEOLVKHGLWDVDIRUPRIoQHDUWRYHU\HDUV ago. Weston’s archive boasts some of the most evocative images ever taken from the golden era, most notably of Marilyn Monroe. Weston built a collection that reaches beyond the lens of the camera, and these intimate portrayals taken by some of Marilyn’s most trusted photographers reveal the very essence of the WZHQWLHWKFHQWXU\VPRVWHQLJPDWLFoOPLFRQ The work of William Carroll, Laszlo Willinger, Kashio Aoki, and George Barris come together to form this revealing portfolio of the most famous woman of her time. Marilyn was PRUHWKDQMXVWDPRYLHVWDU KHUXQSDUDOOHOHGEHDXW\SHUVRQLoHG Hollywood glamour, and her popularity extended far beyond the realms of stardom.
WILLIAM CARROLL
A DAY AT THE BEACH WITH NORMA JEANE
:LOOLDP&DUUROOWRRNVRPHRIWKHoUVWSKRWRJUDSKVRID nineteen-year-old Norma Jeane when he was searching for a model to appear on a counter card for his store. Recalling the shoot, he said, “I was looking for a girl next door. I wanted a good-looking plain Jane, the kind of kid you’d like to live next to.” Carroll paid Norma Jeane $20 for the day. &DUUROOXVHGDVLPSOHWHFKQLTXHQRoOWHUVpDVKoOO RUUHpHFWRUV+HFRQFHQWUDWHGRQ1RUPD-HDQHV personality. Recollecting the shoot, Carroll said, “Norma Jeane was a refreshing natural. When she moved into position, it was so rapidly as if she was reading my mind.” After the shoot, Carroll never saw Norma Jeane again. More than 40 years were to pass before he realised who the young model had become when he read an article in Time magazine about a London auction of informal Marilyn Monroe photographs taken by another photographer, “…she was wearing some of the same clothing used during our shoot, only then did I become aware of the Monroe association.”
Silver Halide print from an Ansco colour transparency | 11” x 14” | Edition of 25 Norma Jeane #11 , Castle Rock, North of Santa Monica, California, 1945
Silver Halide print from an Ansco colour transparency | 11” x 14” | Edition of 25 Norma Jeane #13 , Castle Rock, North of Santa Monica, California, 1945
Silver Halide print from an Ansco colour transparency | 11” x 14” | Edition of 25 Norma Jeane #17 , Castle Rock, North of Santa Monica, California, 1945
LASZLO WILLINGER
STUDIO SHOTS
Laszlo Willinger was a photographer most noted for his portrait photography of movie stars and celebrities during the 1930s and 1940s. He photographed Marilyn Monroe LQ DVVKHZDVEHJLQQLQJWRJHWZRUNLQoOPV0DULO\Q was perceived as a girl with potential and consequently her bosses spent money on her appearance, lightening her hair colour, raising her hairline and brightening her teeth. Willinger was widely recognised for presenting stars in SRVHVWKDWZHUHDOOXULQJDQGGLJQLoHG+LVVNLOOZLWK OLJKWLQJZDVXVHGERWKWRpDWWHUKLVVXEMHFWVDQGWRFUHDWH an ambience. His studies of Marilyn were different from those done before or after; they were artful impressions, subdued and almost contemplative.
Silver Gelatin print from the original negative | 16” x 20” | Edition of 25 Glamour Shot, Laszlo Willinger Studio, Los Angeles, California, 1949
Silver Gelatin print from the original negative | 16” x 20” | Edition of 50 Pin Up, Laszlo Willinger Studio, Los Angeles, California, 1949
KASHIO AOKI
HONEYMOON SERIES
When Joe DiMaggio and his new wife Marilyn Monroe arrived in Japan in February 1954, they were overwhelmed by a crowd of over 250 photo-journalists and paparazzi and refused to pose for photographs. Although the couple’s privacy was heavily guarded with the restriction of press inside the plane, a few photographs were taken. Kashio Aoki, a Pan American Airline steward, asked Joe if he could take pictures of the couple and Joe consented. Aoki’s photographs were some of the few taken on the couples honeymoon. He kept the photos for 46 years before he published them through Edward Weston.
Silver Gelatin print from the original negative | 11” x 14” | Edition of 75 Honeymoon Shot, Tokyo, Japan, 1954
Silver Gelatin print from the original negative | 11” x 14” | Edition of 75 Honeymoon Duet, Tokyo, Japan, 1954
Silver Gelatin print from the original negative | 11” x 14” | Edition of 75 Marilyn Straight On, Tokyo, Japan, 1954
GEORGE BARRIS
LAST PHOTOS
George Barris was a celebrity photo journalist and worked in Hollywood taking pictures of many stars of the 1950s and 1960s. Barris was the last professional photographer to take photos of Marilyn Monroe in July 1962 before her untimely death. No one knew these would be the last photos ever taken of her. For over thirty years he did not reveal most of the photos that he took. Cosmopolitan Magazine had commissioned Barris to create a photographic essay. He pitched the idea of doing a book project and she agreed, but was most enthusiastic about the photography.
Silver Halide print from the original negative | 11” x 14” | Edition of 99 Pink Top, Los Angeles, California, 1962
0DULO\QDVNHGWKDW%DUULVEX\RXWoWVIRUWKHVHVVLRQVVR he shopped at her favourite stores in Beverly Hills and bought sport shirts, a bulky sweater, a terry cloth three-quarter hooded beach jacket and a beach towel. “I did not buy Marilyn any undergarments,” said Barris. “She never wore them.” The shoot continued on Santa Monica beach. Barris recalled, “Marilyn was willing to show her public the real Marilyn Monroe, the real Norma Jeane. She would hide nothing in our photos, no magic, and no PDNHXSLQRXUoQLVKHGSKRWRJUDSKVy The sessions were conducted in late June and early July, and yielded wonderful images. “She was wonderful to work with the entire time. She never looked more beautiful,” said Barris. Marilyn was all too human and all too mortal. Before the photographs or interviews could reach the public, Marilyn died on August 5, 1962.
Silver Halide print from the original negative | 11” x 14” | Edition of 99 Orange Top, Los Angeles, California, 1962
Silver Gelatin print from the original negative | 11” x 14” | Edition of 99 White Pants, Los Angeles, California, 1962
Silver Gelatin print from the original negative | 11” x 14” | Edition of 99 In Car, Los Angeles, California, 1962
Silver Gelatin print from the original negative | 11” x 14” | Edition of 99 Pucci Blouse I, Los Angeles, California, 1962
Silver Gelatin print from the original negative | 11” x 14” | Edition of 99 Pucci Blouse II, Los Angeles, California, 1962
Silver Gelatin print from the original negative | 11” x 14” | Edition of 99 Bikini I, Los Angeles, California, 1962
Silver Gelatin print from the original negative | 11” x 14” | Edition of 99 Bikini II, Los Angeles, California, 1962
Silver Halide print from the original negative | 11” x 14” | Edition of 99 Chilly Wind, Los Angeles, California, 1962
Silver Halide print from the original negative | 11” x 14” | Edition of 99 Green Towel I, Los Angeles, California, 1962
Silver Halide print from the original negative | 11” x 14” | Edition of 99 Green Towel II, Los Angeles, California, 1962
Silver Halide print from the original negative | 11” x 14” | Edition of 99 Stretched Towel, Los Angeles, California, 1962
Silver Halide print from the original negative | 11” x 14” | Edition of 99 Kiss, Los Angeles, California, 1962
Silver Halide print from the original negative | 11” x 14” | Edition of 99 In Surf With Sweater, Los Angeles, California, 1962
Silver Halide print from the original negative | 11” x 14” | Edition of 99 Sweater I, Los Angeles, California, 1962
Silver Gelatin print from the original negative | 11” x 14” | Edition of 99 Sweater II, Los Angeles, California, 1962
Silver Gelatin print from the original negative | 11” x 14” | Edition of 99 Cover Shot, Los Angeles, California, 1962
The images contained within this literature are an artistic representation of the collection. To best experience our art, we recommend you contact your local gallery to arrange a viewing. © Washington Green 2014. The content of this brochure is subject to copyright and no part can be reproduced without prior permission. washingtongreen.co.uk
Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Page 24 Page 25 Page 26 Page 27 Page 28 Page 29 Page 30 Page 31 Page 32 Page 33 Page 34 Page 35 Page 36 Page 37 Page 38 Page 39 Page 40 Page 41 Page 42 Page 43 Page 44 Page 45 Page 46 Page 47 Page 48 Page 49 Page 50 Page 51 Page 52 Page 53 Page 54 Page 55 Page 56Made with FlippingBook - Online magazine maker