Claire Johnston: Growing up in the band and in the public eye hasn't always been easy. I've learned the importance of mental health, surrounding myself with trustworthy and honest people who have my best interests at heart. The entertainment industry can attract toxic individuals, so it's crucial to be discerning in choosing those you associate with. PSP: Singing the national anthem at prestigious events like the Rugby League Tri-Nations tournaments must have been an incredible honor. How did these experiences differ from performing with Mango Groove, and what emotions did Claire Johnston feel while representing her country through music? Claire Johnston: Singing the National Anthem at such events is a massive honor and a completely different experience from performing with the band. It's both exhilarating and nerve-wracking to be out on the field, exposed to thousands of people. Representing my country through music made me feel a mix of vulnerability and excitement, especially during the SA v England match at Twickenham in 2003. PSP: As an 11-member band, logistical challenges may arise. How does Mango Groove ensure that everyone is present and ready for their shows?
Claire Johnston: Over the years, we've encountered some hair-raising
logistical nightmares, but our professionalism and instant
communication through technology have made things easier. We take our work seriously, which helps us stay organized and committed to our performances. PSP: With such a diverse group of musicians, what unique experiences or anecdotes can Claire Johnston share about the interactions and camaraderie during tours? Claire Johnston: There have been both intense and humorous moments during our tours. From band member John Leyden's arrest for violating Pass Laws in the mid-'80s to getting incredibly lost trying to find a performance venue in Welkom, we've
had our share of stressful and hilarious times on the road.
PSP: Mango Groove's music blends pop and traditional South African township music. How does the band preserve the authenticity of these genres while infusing their own creative style? Claire Johnston: Preserving the authenticity of Kwela and Marabi music, which we deeply respect, is crucial. We infuse our creative style while being mindful not to parody or disrespect these genres. Our genuine love for the music and its history is evident in how we express ourselves.
sound press | August 2023
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