FINE ARTS-MUSIC
201. THEORY OF NINETEENTH CENTURY MUSIC. (2) Basic principles of harmonic organization in the style of the nineteenth century composers. Prerequisites: 101, 102
202. THEORY OF EIGHTEENTH CENTCRY MCSIC. \21 Chorales, eighteenth century counterpoint. Prerequisite: 201. 211. DICTATION AND SIGHT SIJ\GING Ill. 1 l 1 Dictation and reading of two-part music. Prerequisite: 112. 212. DICTATION AND SIGHT SINGli',G IV. llJ Dictation and reading of three and four-part music. Prerequisite: 211. 301. THEORY OF SIXTEENTH CENTCRY MUSIC. (2J Modal harmony, sixteenth century co unt erpoint. Prerequisite: 202. 302. THEORY OF TWENTIETH CE:NTURY MUSIC. \2) Twentieth century harmon y and counterpo int. Prerequisite: 301.
311. KEYBOARD HARMONY I. llJ
Review of diatonic harmony with keyboard exercises. Prerequisite: 212.
312. KEYBOARD HARMONY II. (lJ
Review of chromatic harmon y with keyboard exercises. Prerequisite: 311.
401. ORCHESTRATION. (2J Range, technique, and transposition of orchestral instruments, exercises
in orchestration. Prerequisite: 302.
402. FORM AND ANALYSIS. (2) Analysis of music: motive, phrase. period; binary, ternary, rondo, and sonata-allegro forms. Prerequisite: 302.
406. COMPOSITION. (2)
Original work in vocal and instrumental forms natas, other forms and ensemble. Prerequisite: 401 and 402.
including rondos, so
410. ADVANCED THEORY. (2)
Special problems in music theory. Prerequisite: 401 and 402.
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