FINE ARTS-MUSIC
112. DICTATION AND SIGHT SINGING II. (1) Dictation and reading of melodies based on the harmonic material of 102. Corequisite: 102 201. THEORY OF NINETEENTH CENTURY MUSIC. (2) Basic principles of harmonic organization in the style of the nineteenth century composers. Prerequisites: 101, 102 202. THEORY OF EIGHTEENTH CENTURY MUSIC. (2) Chorales, eighteenth century counterpoint. Prerequisite: 201. 211. DICTATION AND SIGHT SINGING III. (1) Dictation and reading of two-part music. Prerequisite: 112. 212. DICTATION AND SIGHT SINGING IV. (1) Dictation and reading of three and four-part music. Prerequisite: 211. 301. THEORY OF SIXTEENTH CENTURY MUSIC. (2) Modal harmony, sixteenth century counterpoint. Prerequisite: 202. 302. THEORY OF TWENTIETH CENTURY MUSIC. (2) Twentieth century harmony and counterpoint. Prerequisite: 301. 311. KEYBOARD HARMONY I. (1) Review of diatonic harmony wi th keyboard exercises. Prerequisite: 212. 312. KEYBOARD HARMONY II. (1) Review of chromatic harmony with keyboard exercises. Prerequisite: 311. 401. ORCHESTRATION. (2) Range, technique, and transposition of orchestral instruments, exercises in orchestration. Prerequisite: 302. 402. FORM AND ANALYSIS. (2) Analysis of music: motive, phrase, period; binary, ternary, rondo, and sonata-allegro forms. Prerequisite: 302. 406. COMPOSITION. (2) Original work in vocal and instrumental forms including rondos, so natas, other forms and ensemble. Prerequisite: 401 and 402. 410. ADVANCED THEORY. (2) Special problems in music theory. Prerequisite: 401 and 402. 53
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