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Shakir Hassan Al Said [1925, Samawah - 2004 Baghdad] Al Muntassirun [The Victorious]. Part of Kawakaba: Highlights from the Barjeel Art Foundation. Image courtesy of Christie’s
the pioneering female artists and actresses of the 20 th century whose exceptional careers catapulted them into star-studded cities, including Oum Kalthoum, Warda al- Djazaïria, Dalida, Fayrouz, Asmahan, and Behidja Hafez. Inspired by the Hanging Gardens of Babylon and Al-Azhar Park in Cairo to the Alhambra in Granada and the Trial Garden of Algiers, the exhibition on the history of oriental gardens, held in 2016, featured a dreamy collection of 300 artworks loaned by major international museums and private collections. Visitors were further bewitched by the recreation of exuberant oriental gardens by landscape architect Michel Péna, adorned with fragrant roses, orange trees, palm trees, and jasmine. This upcoming fall, a sensorial exhibition themed around oriental perfumes is set to whisk visitors to the thousand- year-old history of perfume in the Arab World through the portrayal of 200 ravishing heritage and contemporary works. There’s a particularly wondrous, old-world glow throughout the trail, inviting visitors to fields of rare essences, perfumers’ workshops, the medina’s souks, and fragrant homes – all evoking various scents and customs associated with Arab culture. The star of the exhibition seems to be the olfactory devices devised by perfumer Christopher Sheldrake, which emit scents reminiscent of the orient, such as incense, rose, saffron, jasmine, musk, orange blossom, and oud wood. Today, this cacophony of artisanal blends forms part of many bewitching perfumes. For instance, Chanel’s PARIS – PARIS perfume is distilled from the Damask rose, while
Les Jango written by Abdelaziz Baraka Sakin book cover. Image courtesy of Amazon
on the Arab World are available, facilitating knowledge, research, and enlightenment. All that’s left is for visitors to decide which floor they are going to visit first. The institute is at the forefront of leading a number of outstanding cultural projects. For instance, the “Arab Literature Prize” celebrates Arab literary works by awarding EUR10,000 to an Arab author who has penned a novel, a compilation of short stories, or poetry, written originally in French or translated from Arabic to French. The central theme of this literary accolade revolves around the depiction of Arab youth. Previous works by winners include “Bel Abîme” by Yamen Manai, “Les Corps Célestes” by Jokha Alharthi, and “Les Jango” by Abdelaziz Baraka Sakin. Moreover, the institute’s cultural exhibitions harness the creativity and imagination of artists to present the many fascinating stories pertaining to Arab art, history, and contemporary issues. For instance, the Emirati painter Abdul Qader Al Rais exhibited his paintings at the institute in the year 2018, where his unique brushstrokes presented a wonderful fusion of contemporary narratives, nostalgic scenes from the past, splashes of vivacious colours, and traditional motifs. Another exhibition celebrated
The 2021 Prix de La Littérature Arabe, went to Les corps célestes [Celestial Bodies] by Omani author Jokha Alharthi, translated from Arabic by Khaled Osman and published by ed. Stéphane Marsan.
Abdul Qader Al Rais is known for both his abstract oil paintings, which draw on Arabic script and geometric forms, and his more recent landscape watercolours, which reflect his longtime interest in traditional Emirati architecture and nature. Image courtesy of Sharjah Art
Cover of Bel Abime written by Yamen Manai.
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