85 |
) انظر: 52 (
Livingstone, Das,“The End of Audiences?,” op, cit. (53) Jean-Pierre Esquenazi,“Les non-publics de la télévision,” Réseaux, Vol. 20, n. 112-113: (2002): 316-344. كلمة مركبة من (الإنتاج) و(الاســتخدام) للتعبير عن ظاهرة التداخل بين منتجي " الانتخدام " ) 54 ( . "Produsage" المادة الإعلمية والثقافية الرقمية ومستخدميها والمعبّر عنها بــ (55) Schrøder,“Audience Reception Research in a Post-broadcasting Digital Age,” op, cit. (56) May Ien Ang, Desperately Seeking the Audience (London and New York: Routledge, 1991). (57) Céline Ségur,“Réception,” hal.univ-lorraine.f, February 27, 2018,“accessed February 2, 2021”. https://bit.ly/3r6nVz2. ) انظر على سبيل المثال: 58 ( Sonia Livingstone, Peter Κ. Lunt,“Un public actif, un téléspectateur critique,” traduit par Jérôme Bourdon, Hermés, Vol. 1 -2, n. 11 -12, (1993): 145 -157. (59) Schrøder,“Audience Reception Research in a Post-broadcasting Digital Age,” op, cit. (60) Nick Couldry,“Mediatization: What Is It?,” in Leif Kramp et al. Media Practice and Everyday Agency in Europe (German federal state, lumière Bremen, 2014), 35. (61) Schrøder,“Audience Reception Research in a Post-broadcasting Digital Age,” op, cit. (62) Olivier Donnat,“La question des public, d’un siècle à l’autre,” Culture et recherche, n. 134, (2016 -2017): 6 - 12. ) نقلً عن: 63 ( Nick Couldry,“The Necessary Future of the Audience… and How to Research It,” in Virginia Nightingale, The Handbook of Media Audiences, 213. (64) Cédric Fluckiger,“L’école à l’épreuve de la culture numérique des élèves,” Revue française de pédagogie, n. 163, (2008): 51 - 61.
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