STYLE
Above
and beyond
In an age of the disposable and the digital, Australian milliners are keeping centuries-old craft alive – and pushing it somewhere entirely new.
M illinery is the refined art of designing and making hats – balancing sculpture, fashion, art and engineering to frame the face, transform the wearer’s silhouette and, of course, their mood. At its best, it is wearable architecture: a three-dimensional composition in which proportion, balance and movement are just as important as decoration. A hat is also a powerful cultural signifier, an instant reference to history. It says a great deal about the wearer, at a glance. The making of a hat In the past, milliners trained in workrooms as apprentices, mastering hand work and technical skills over many seasons. The traditional process moves from design sketch to pattern, then to shaping and steaming on wooden or aluminium blocks, using materials such as felt, straw, and silk, before wiring is added to support brims and edges and fabrics are stitched or glued to cover the form. Trimming demands its own artisanal skills: feathers, flowers, ribbon work, veils and hand-stitching all create depth, lightness and often, movement. A milliner’s true talent lies in knowing how each fibre behaves, so that the hat fits comfortably while maintaining crisp lines and structural integrity. It is a form of artistry that is currently seeing a resurgence of interest from both designers and clients. Learning the craft Gaining a formal qualification, however, is becoming more difficult. Georgia Skelton, President of Millinery Australia, explains that
official TAFE training in millinery began to be wound back last year. “Millinery Australia is now looking into a brand new initiative, where we gather all our professional tutors [fellows] together, and students can gain qualifications that way,” she says. Ironically, Skelton sees growing demand rather than decline. “We had an era when it was more about headbands, where people seemed nervous about self-expression – but that seems to be over. We are back to women and men who are excited about millinery.” She is buoyant about the talent of milliners working in Australia – Millinery Australia alone has 165 fellows – and about the appetite for passing those skills on. “That’s what the association is for: to keep the standard of millinery up there. Quality pieces, made in Australia – that’s what we are encouraging people to search for.”
WORDS KIRSTIE CLEMENTS
A sustainable art form With sustainability becoming an
increasingly important part of the fashion conversation – particularly for younger consumers – millinery, and the longevity of a bespoke hat, is well placed. A distinctive hat can be worn for decades, handed down, loaned out for special occasions; it is a more considered choice than something discarded after a single season. Hats can be remodelled and retrimmed, evolving into a personal signature over years. Many Australian milliners are already working with natural fibres – wool, straw, hemp and organic cotton – as well as deadstock and recycled textiles, giving beautiful existing materials a second life rather than drawing on virgin resources.
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