UKRATKO / IN BRIEF
PARIZ Sezan i Gran Pale K ada je Pablo Pikaso izjavio da je Pol Sezan (1839– 1906) „otac svih nas“, precizno je definisao me- sto ovog francuskog sli- kara u istoriji umetnosti. Sezan nije sa- mo zatvorio poglavlje impresionizma 19. veka već je razmontirao klasična pravi- la perspektive. Njegov radikalni pristup kompoziciji i tretmanu boje stvorio je vi- zuelni rečnik na kojem je izgrađena či- tava umetnost dvadesetog veka. Upra- vo taj uticaj u fokusu je monumentalne izložbe „Cezanne et nous“, koja traje do 17. januara 2027. godine u temeljno re- noviranom pariskom „Gran Paleu“. Ku- stoski koncept ove postavke izbegava hronološku predvidljivost. Umesto to- ga, izložba postavlja Sezanova ključna platna, poput čuvenih serija slika pla- nine Sent Viktoar i kultnih kompozici- ja sa kupačima, u direktan dijalog sa ra- dovima modernih umetnika na koje je neposredno uticao. Smeštena ispod masivnog staklenog svoda „Gran Palea“, postavka zahteva vre- me i koncentraciju. Pored kapitalnih sli- ka, posetioci imaju priliku da analiziraju i njegove skice i akvarele, koji otkrivaju sam proces dekonstrukcije motiva. „Ce- zanne et nous“ je ozbiljna akademska i vizuelna studija koja zahteva od posma- trača da promeni način na koji percipira prostor, svetlost i strukturu unutar rama. Za svakog ozbiljnog ljubitelja umetnosti ovo je centralni evropski događaj sezone.
Paris
Cézanne and Grand Palais
W hen Pablo Picasso de- clared Paul Cézanne (1839–1906) “the father of us all”, he accurately defined this French painter’s place in art history. Cézanne not only closed the chapter of 19 th century impressionism, but also dis- mantled the classical rules of perspective. His radical approach to composition and his treatment of colour created the visual vocabulary that laid the foundations on which the entire art of the 20 th century was built. This influence is the focus of the monumental exhibition Cezanne et nous, which runs at the fully renovated Grand Palais in Paris until 17 th January 2027. The exhibition’s curatorial concept avoids chronological predictability. Instead, the
exhibition sets Cézanne’s key canvases – such as his famous series of paintings of Mount Sainte-Victoire and iconic compo- sitions with bathers – in direct dialogue with the works of the modern artists he influenced directly. Presented under the massive vault- ed glass ceiling of the Grand Palais, this exhibition demands time and concentra- tion. Apart from his landmark paintings, visitors also have the opportunity to ana- lyse his sketches and watercolours, which reveal the very process of deconstructing motifs. Cezanne and Us is a serious aca- demic and visual study that requires the viewer change the way they perceive space, light and structure within the frame. This is the European event of the season for any serious art lover.
60 | Kultura » Culture
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