UKRATKO / IN BRIEF
NJUJORK Rozamund Pajk na Brodveju B rodvej se ove jeseni udalja- va od grandioznih mjuzi- kala, ustupajući prostor dramskim formatima. U epicentru tog zaokreta na- lazi se „Inter Alia“, kompleksna prav- na drama nagrađivane dramaturškinje Suzi Miler, koja se od 10. novembra igra na sceni prestižnog teatra „Mu- sic Box“. Glavni adut ove postavke je Rozamund Pajk, britanska glumi- ca poznata po hirurški preciznim in- terpretacijama mračnih, kompleksnih ženskih likova, koja ovim komadom ostvaruje svoj dugo iščekivani njujorš- ki scenski debi. Pajk tumači lik Džesike Parks, nepopustljive sutkinje čiji se rigidni moralni i profesionalni principi ruše pred neočekivanim slučajem. Komad nije klasičan sudski triler holivud- skog tipa; to je psihološka studi- ja koja analizira kako se mehanizmi pravde slamaju pod pritiskom lične traume i društvenih očekivanja. Re- ditelj Džastin Martin oslanja se na potpuno minimalističku scenografi- ju, koristeći isključivo suptilne pro- mene u dizajnu svetla i zvuka ka- ko bi manifestovao unutrašnji slom glavne junakinje. Predstava je pret- hodno testirana pred izuzetno zah- tevnom londonskom publikom, gde je ocenjena kao jedan od najvažnijih dramskih tekstova decenije. Za one koji od teatra očekuju vrhunsku glu- mu i provokativan tekst, ovo je ne- zaobilazna stanica na Menhetnu.
New York Rosamund Pike on Broadway
T his autumn sees Broadway moving away from grandiose musicals to provide space to drama formats. At the heart of that turnaround is Inter Alia, a complex legal drama by award-win- ning Australian playwright Suzie Miller, which has been playing on the stage of the prestigious Music Box Theatre since 10 th November. This show’s top asset is Rosamund Pike, a British actress known for the surgical precision of her interpreta- tions of dark, complex female characters, who is making her long-awaited Broad- way debut with this play. Pike portrays protagonist Jessica Parks, an unyielding judge whose rigid moral and professional principles crum- ble in the face of an unexpected case. The play isn’t a classic Hollywood-style court- room thriller, but rather a psychologi- cal study that analyses how the mecha- nisms of justice break down under the pressure of personal trauma and social expectations. Director Justin Martin re- lies on minimalist scenography, utilising only subtle changes in light and sound design to manifest the main character’s internal breakdown. The play was previ- ously tested in front of an extremely de- manding London audience, which rated
it among the most important dramatic works of the decade. For those who ex- pect theatre to provide top acting and a provocative script, this is an unmissable event in Manhattan.
62 | Kultura » Culture
Made with FlippingBook interactive PDF creator