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F I N E A RT S - M U S I C creative writing in the style. Three hours each week. Prerequisite: 201. 211. DICTATION AND SIGHT SINGING III. (1)
Dictation and reading of two-part music. Two hours each week. Prerequisite: 112.
212. DICTATION AND SIGHT SINGING IV. (1)
Dictation and reading of three and four-part music. Two hours each week. Prerequisite: 211.
301. 16TH CENTURY COUNTERPOINT. (2)
Contrapuntal principles and practices of 16th century model technique. Prerequisite: 202.
302. 18TH CENTURY COUNTERPOINT. (2)
Analysis and creative work in the principles and practices of harmonic contrapuntal technique of the 18th century. Prerequisite: 202. 305. THEORY OF THE TWENTIETH CENTURY. (2) Twentieth century harmony and counterpoint. Prerequisite: 301. 311. KEYBOARD HARMONY I. (1) Review of diatonic harmony with keyboard exercises. Prerequisite: 212 312. KEYBOARD HARMONY II. (1) Review of chromatic harmony with keyboard exercises. Prerequisite: 311 313, 314. ORCHESTRATION I & II. (2, 2) Range, technique, and transposition of orchestral instru ments, exercises in orchestration. Prerequisite: 305. 403, 404. COMPOSING AND ARRANGING FOR THE EVANGELICAL CHURCH I & II. (2, 2) The composing of anthems, cantatas, and oratorios suitable for ensembles of varying proficiency in the evangelical church. Includes composing in the vocal and instrumental
performance media. Prerequisite: 305. 409, 410. FORM AND ANALYSIS I & II. (2, 2)
Analysis of music: motive, phraS€, period; binary, tenary, rondo, and sonata-allegro forms. Prerequisite: 305.
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