KULTURA / CULTURE
„Fjord“ – Kristijan Munđiju Ovogodišnji dobitnik „Zlatne palme“ u Kanu otvara 32. FAF pričom koja porodičnu dramu pretvara u šire pitanje o granicama tolerancije. Kada se nad rumunsko-norveškom porodicom koja živi u norveškom selu pojavi sumnja da ro- ditelji neadekvatno brinu o svojoj deci, njihova svakodnevica postaje predmet osude čitave zajednice. Sa Sebastijanom Stenom i Renate Reinsve u glavnim ulogama, „Fjord“ istražu- je koliko se naše predstave o ispravnom i po- grešnom razlikuju i šta se događa kada uvere- nja postanu važnija od razumevanja.
FJORD – CRISTIAN MUNGIU The recipient of this year’s Cannes’ Palme d’Or opens the 32nd FAF with a story that transforms a family drama into a broader question about the limits of tolerance. When a Romanian-Nor- wegian family living in a Norwegian village is sus- pected of abusing their children, their everyday life becomes the subject of condemnation from the entire community. Starring Sebastian Stan and Renate Reinsve, Fjord explores how our ide- as of right and wrong diverge and what happens when beliefs become more important than un- derstanding.
STIŽE NOVI FAF / NEW FAF ARRIVING Filmovi koje vredi pogledati Films that are worth watching
Od dobitnika „Zlatne palme“ u Kanu do jednog od najzapaženijih španskih filmova godine, program 32. FAF-a i ove godine donosi raznovrsne filmske priče koje istražuju lične dileme, porodične odnose i društvo u vremenu velikih promena / From the winner of Cannes’ Palme d'Or to one of the year’s most notable Spanish films, the programme of the 32 nd Belgrade Auteur Film Festival is this year set to once again present diverse cinematic stories that explore personal dilemmas, family relationships and society during times of great change
„Minotaur“ – Andrej Zvjagincev Nagrađen „Grand Prijem“ na ovogo- dišnjem Kanskom festivalu, „Minotaur“ označava povratak jednog od najzna- čajnijih savremenih ruskih reditelja du- gometražnom filmu nakon devet godina.
„Do kraja dana“ – Jelena Maksimović Lena i Stefan se nalaze na suprotnoj strani društvenih podela, ali pre- poznaju jedno u drugom sličan nemir. Njihov susret otvara prostor za prijateljstvo, ljubav i drugačiji pogled na svet. Film Jelene Maksimo- vić, prikazan na Venecijanskom filmskom festivalu, donosi intimnu priču o mladima koji pokušavaju da pronađu svoje mesto u društvu koje ih deli.
UNTIL THE DAY ENDS – JELENA MAKSIMOVIĆ
Lena and Stefan find themselves on opposite sides of the social divide, but they recognise in one another a similar restless- ness. Their meeting cre- ates space for friend- ship, love and a different view of the world. Jelena Maksimović’s film, first screened at the Venice Film Festival, brings an in- timate story about young people trying to find their place in a society that has divided them.
U središtu priče je uspešni poslovni čovek čiji se naizgled stabilan život raspada pod pritiskom poslovnih problema, sumnje u bračnu vernost i sve nestabilnijeg društvenog okruženja. Zvjagincev kroz intimnu kri- zu otvara mnogo šira pitanja o moći, izdaji i moralnim kompromisima. MINOTAUR – ANDREY ZVYAGINTSEV Winner of the 2026 Cannes Film Festival Grand Prix, Minotaur marks the feature film return of one of Russia’s most important contempo- rary directors after a nine-year hiatus. At the heart of the story is a successful businessman whose seemingly stable life crumbles un- der the pressure of business problems, suspicions over infidelity and an increasingly unstable social environment. Through an intimate cri- sis, Zvyagintsev addresses much broader questions about power, be- trayal and moral compromises.
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